| Acknowledgements | 第5-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7页 |
| Chapter 1 Introduction | 第8-15页 |
| 1.1 Shi Jing and Ezra Pound | 第8-11页 |
| 1.2 Purpose and Significance | 第11-13页 |
| 1.3 Methods and Organization of the Thesis | 第13-15页 |
| Chapter 2 Literature Review | 第15-24页 |
| 2.1 Review of the Different English Versions of Shi Jing | 第15-17页 |
| 2.2 Previous Studies on English Versions of Shi Jing | 第17-21页 |
| 2.3 Previous Studies on Ezra Pound’s English Version of Shi Jing | 第21-24页 |
| Chapter 3 Medio-translatology and Creative Treason | 第24-31页 |
| 3.1 Introduction to Medio-translatology | 第24-26页 |
| 3.2 Creative Treason in Medio-translatology | 第26-31页 |
| 3.2.1 Creative Treason of Translators | 第26-28页 |
| 3.2.2 Creative Treason of Receptors and Reception Environment | 第28-31页 |
| Chapter 4 Pound’s Creative Treasons in His Translation of Shi Jing | 第31-44页 |
| 4.1 Creative Treasons in Poetic Form: Verse Stanzas and Lines | 第31-35页 |
| 4.2 Creative Treasons in Language: Chinese Characters | 第35-40页 |
| 4.3 Some Creative Treasons in Reproduction of Confucianism | 第40-44页 |
| Chapter 5 Analysis of Pound’s Creative Treasons in His Translation of Shi Jing | 第44-52页 |
| 5.1 Pound’s Motivations and the Creative Treasons | 第44-47页 |
| 5.1.1 Pound’s Translation Motivations | 第44-46页 |
| 5.1.2 Pound’s Motivations and Some Creative Treasons in Reproduction ofConfucianism | 第46-47页 |
| 5.2 Pound’s Poetics and the Creative Treasons | 第47-52页 |
| 5.2.1 Pound’s Poetics | 第47-50页 |
| 5.2.2 Pound’s Poetics and the Creative Treasons in Verse Stanzas and Lines | 第50-51页 |
| 5.2.3 Pound’s Poetics and the Creative Treasons in Chinese Characters | 第51-52页 |
| Chapter 6 Conclusion | 第52-54页 |
| Notes | 第54-55页 |
| Bibliography | 第55-59页 |
| Publications During the Postgraduate Program | 第59-60页 |
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